Tables of content

　　Hans Christian Andersen and the Fairy Tale Studies

　　158 Introduction to Topic on Hans Christian Andersen and the Fairy Tale

　　Jorgen Veisland

　　159-165 Lydia Cabrera’s African Fables from Cuba as a Text Theatre

　　Barbara Stawicka-Pirecka

　　166-172 Treue in Three Tales by the Brothers Grimm

　　Dolores Buttry

　　173-183 Nation Building and Folklore in Norway 1840-1905

　　Gudleiv Boy

　　184-194 The Language of Andersen’s Early Fairy Tales

　　Tom Lundskar-Nielsen

　　195-203 Dual or Single Address? Some Reflections on Hans Christian Andersen’s

　　Fairy Tales in Polish Translations

　　Hanna Dymel-Trzebiatowska

　　204-210 The Writer of Tales:Hans Christian Andersen as a Cultural Bridge-

　　Builder

　　Johannes Norregaard Frandsen

　　211-219 “The Dryad” by Hans Christian Andersen:A Fairy Tale on Modern Times

　　and The World Exhibition of 1867

　　Anne-Marie Mai

　　220-231 The End of the Fairy Tale:Hans Christian Andersen’s“The Shadow”

　　Jorgen Veisland

　　Slovenian Literature and Culture Studies

　　232-233 Comparativism in Slovenia:Introduction

　　Tomo Virk

　　234-247 Oedipus and Joseph K.

　　Janez Vrebko

　　248-254 The Short Story as a Genre of Ontological Uncertainty

　　Tomo Virk

　　255-266 The Historical Novel, Ideology and Re-organization of the Semiosphere:

　　The Case of the Slovene Historical Novel

　　Vanesa Matajc

　　Book Reviews

　　267-271 The Voice We Need to Listen to:A Comment on Perloff’ s Poetic License

　　Hu Quansheng

　　272-274 Striving for a New Critical Approach:Rereading English Literature in the

　　Perspective of Ethical Literary Criticism

　　Yang Jincai