Vol.3 No.1
- FWLS
- Vol.3 No.1
- Published£º2011
- ISSN £º1949-8519
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Introduction to £¢Graphic Engagement: The Politics of Comics and Ani-mation£¢
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£¢A Great Artist Can Come from Aanywhere £¢: Globalization in the Pixar Animated Feature
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Manga as Historical Medium: Depictions of Prince Shotoku's Authorship of the sangyo-gisho in japanese comic books
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Queering the Family Album:the Re-orientation of Things in Alison Bechdel's Fun Home
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Breaking Barriers: Moving Beyond Orientalism in Comics Studies
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Breaking Barriers: Moving Beyond Orientalism in Comics Studies
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The Breakdown of Heroism in the 1970s: Miserable Men in Franco-Bel-gian Western Comics
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Historical Narrative and the Misrepresentation of Wartime Labor Recruit-ment in Kenkanryu
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£¢This Living Hand£¢: Fantasies of Handwriting in the Comics of Kevin Huizenga
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Otku Dreams: The Re-membering of japan in Murakami Takashi's £¢Earth at My Window£¢
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The Politics of One Piece:Political Critique in Oda's Water seven
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£¢True-To-Life£¢:Romance Comics and Teen-Age Desire, 1947-1954
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The Liberal Imagination Unlimited: On Joe Sacco's The Fixer: A Story From Sarajevo
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Perceiving PersePolis: Personal Narrative, Sense Memories, and Visual Simplicity in Marjane Satrapi's Animated Autobiography
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Political Engagements: Thinking Inside the Frame S.C.Gooch
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