
Vol.3 No.1
- FWLS
- Vol.3 No.1
- Published£º2011
- ISSN £º1949-8519
-
Alipay service
-
Authenticity
-
full refund
-
Introduction to £¢Graphic Engagement: The Politics of Comics and Ani-mation£¢
-
£¢A Great Artist Can Come from Aanywhere £¢: Globalization in the Pixar Animated Feature
-
Manga as Historical Medium: Depictions of Prince Shotoku's Authorship of the sangyo-gisho in japanese comic books
-
Queering the Family Album:the Re-orientation of Things in Alison Bechdel's Fun Home
-
Breaking Barriers: Moving Beyond Orientalism in Comics Studies
-
Breaking Barriers: Moving Beyond Orientalism in Comics Studies
-
The Breakdown of Heroism in the 1970s: Miserable Men in Franco-Bel-gian Western Comics
-
Historical Narrative and the Misrepresentation of Wartime Labor Recruit-ment in Kenkanryu
-
£¢This Living Hand£¢: Fantasies of Handwriting in the Comics of Kevin Huizenga
-
Otku Dreams: The Re-membering of japan in Murakami Takashi's £¢Earth at My Window£¢
-
The Politics of One Piece:Political Critique in Oda's Water seven
-
£¢True-To-Life£¢:Romance Comics and Teen-Age Desire, 1947-1954
-
The Liberal Imagination Unlimited: On Joe Sacco's The Fixer: A Story From Sarajevo
-
Perceiving PersePolis: Personal Narrative, Sense Memories, and Visual Simplicity in Marjane Satrapi's Animated Autobiography
-
Political Engagements: Thinking Inside the Frame S.C.Gooch
To view this page ensure that Adobe Flash Player version 10.0.0 or greater is installed.







- Prev£ºNone
- Next£ºNone