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Vol.3 No.1

Vol.3 No.1

  • FWLS
  • Vol.3 No.1
  • Published2011
  • ISSN 1949-8519
    涙全俊佚連
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  Tables of content

  1-2

  Introduction to“Graphic Engagement:The Politics of Comics and Ani-

  mation”

  Derek Parker Royal

  S. C. Gooch

  Juan Meneses

  3-14

  “Later, Buddy”:The Politics of Loss and Trauma Representation in

  Tengen Topper Gurren Lugunn

  Vyshali Manivannan

  15-24

  “A Great Artist Can Come from Anywhere”:Globalization in the Pixar

  Animated Feature

  Walter C. Metz

  25-39

  Manger as Historical Medium:Depictions of Prince Shotoku’s Authorship

  of the Sangyo-gisho in Japanese Comic Books

  Mark Dennis

  40-51

  Queering the Family Album:the Re-orientation of Things in Alison

  Bechdel’s Fun Home

  Rebecca Scherr

  52-60

  Breaking Barriers:Moving Beyond Orientalism in Comics Studies

  Leah Misemer

  61-69

  The Breakdown of Heroism in the 1970s:Miserable Men in Franco-Bel-

  gian Western Comics

  Kira Ackermann

  70-80

  Historical Narrative and the Misrepresentation of Wartime Labor Recruit-

  ment in Kenkanryu

  Erik Ropers

  81-93

  “This Living Hand”:Fantasies of Handwriting in the Comics of Kevin

  Huizenga

  Aaron Kashtan

  94-106

  Otaku Dreams:The Re-membering of Japan in Murakami Takashi’s

  “Earth at My Window”

  Jannik Haruo Eikenaar

  107-117

  The Politics of One Piece:Political Critique in Oda’ s Water Seven

  Thomas Zoth

  118-128

  “True-To-Life”:Romance Comics and Teen-Age Desire1947匯1954

  Jeanne Gardner

  129-136

  The Liberal Imagination Unlimited:On Joe Sacco’s The Fixer:A Story

  From Sarajevo

  Daniel Morris

  137-146

  Perceiving Persepolis:Personal NarrativeSense Memoriesand Visual

  Simplicity in Marjane Satrapi’s Animated Autobiography

  Meghan Gilbride

  147-156

  Political Engagements:Thinking Inside the Frame

  S. C. Gooch

  Juan Meneses

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